Alfred Pope, the Collector

By Melanie Bourbeau

Hill-Stead Museum, in Farmington, Connecticut, was formed in 1946 (officially opening to the public in April 1947), when Alfred Atmore Pope’s daughter bequeathed the entirety of the household, including her father’s unparalleled collection of paintings. During Pope’s active collecting years (1889-1907) he amassed some 40+ works of art, the vast majority of which were French Impressionist. Due to Pope’s ​careful pruning through ​sales and exchanges, ​in order to retain only those works that elicited a profound emotional reaction, and his daughter’s subsequent dispositions, only a small fraction—albeit perhaps some of the finest—are part of the collection today.

Pope, born on July 4, 1842, hailed from modest means. He was the son of a Quaker woolen mill operator. After working alongside his father and two brothers for several years, he came to the realization this was not the life he envisioned for himself. He secured his release from the family’s business obligations and borrowed funds to invest as an officer in the Cleveland Malleable Iron Company, a manufactory then specializing in agricultural-related products. Within a short time, and by the age of 37, he was appointed President of the company remaining at the helm until his death in 1913. He oversaw operations as the company grew exponentially with the advent of railroad expansion that resulted in development of an automatic coupling device, just one of many designs produced nationally.

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National Historic Landmark Designation

Hill-Stead Receives Site-Wide National Historic Landmark Designation

Hill-Stead Museum and its entire 152-acre campus, encompassing nine built structures and landscape features, was approved by the Secretary of the Interior as a National Historic Landmark on January 13, 2021.  The Museum’s 1901 historic house has held the distinction since 1991.

According to the U.S. Department of the Interior and the National Park Service, Hill-Stead, best known for its world-class art and architecture, was among ten sites across the country added to the list. All received recognition as “historic properties of exceptional value to the nation.”

To be listed in the register, a property has to be at least 50 years old and meet at least one of the following criteria: significance in architecture; association with a person of importance; archaeological potential; or significant events in its history. History is a broad area of significance with many categories, including education and conservation.

“Hill-Stead is humbled and honored to be among these ten designated landmarks. Each reveals significant stories of our nation’s diverse heritage through art, architecture, and community,” says Dr. Anna Swinbourne, Hill-Stead’s Executive Director and CEO.


Video courtesy of Lev Verbitsky

One of the nation’s few remaining representations of early-20th-century country estates, Hill-Stead was the first architectural project of founder Theodate Pope Riddle (1867–1946), one of the first licensed female architects in the U.S., and an early proponent of historic preservation. She designed it for her parents, and the Colonial Revival mansion welcomed members of the Roosevelt Family, Mary Cassatt, and Henry James, who wrote in his 1907 book The American Scene that it was: “…. a great new house on a hilltop that overlooked the most composed of communities; a house apparently conceived—and with great felicity—on the lines of a magnified Mount Vernon.” She went on to design Westover School and Avon Old Farms School and rehabilitate Theodore Roosevelt’s Gramercy Park birthplace.

A lover of the natural world, Theodate Pope Riddle’s project started with the land, resulting in an 1898 farm complex inspired by her early experiences traveling with her parents on a Grand Tour of Europe from 1888-1889. During this time, she developed a deep empathy for animals, and a mere decade later, she would fulfill her dreams of creating an innovative working farm at Hill-Stead.

Today, Hill-Stead has brought together a community of over a million visitors since opening to the public in 1947. It continues to innovate as a beacon of creativity with live outdoor art performances, educational offerings, and public and private events.

The beloved house on the hill provides a rare opportunity to be surrounded by world-renowned art while enjoying the expansive estate—an outdoor masterpiece itself. Unique features include a Beatrix Farrand-designed sunken garden, stunning vistas, walking trails, woodlands, and meadows with sheep.

Morning Room

More inviting and intimate than the typical Museum, Hill-Stead gives its visitors a close-up, personal view of renowned masterpieces, textiles, and decorative arts in situ. The impressive artworks live in an intimate domestic setting, as intended by Impressionist artists of the period, who created works to be lived with, and that would enliven any interior. A treasure trove for Impressionist lovers, Hill-Stead’s holdings include paintings by Manet, Monet, Degas, Whistler, and Cassatt that rival artwork found in the world’s major art institutions. One of three museums in the nation with two examples of Monet’s Haystacks, Hill-Stead’s collection includes the artist’s stunning seascapes, an early scene of northern France, and an arresting Mediterranean view.<

The 1901 house and its period rooms are open for guided tours only Thursday through Sunday, 10 am to 4 pm. The grounds are open to the public daily from 7:30 am–5:30 pm.

Dreams and Air Castles

A Virtual MLK Day Program

On January 18th, 2021, young learners tuned in to Hill-Stead Museum’s very first virtual MLK program, “Dreams and Air Castles.” The hour-long session delved into the history of Martin Luther King and Hill-Stead’s architect Theodate Pope, igniting conversations, games, and art-making activities.

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“Volume of Light (Hill-Stead)”

Purchase of Artist Fritz Horstman’s Sculpture Supports Hill-Stead

Fritz Horstman’s sculpture, The Volume of Light (Hill-Stead), depicts the sunlight cast through the windows and doors of Hill-Stead Museum. It has been on view as part of Wadsworth Atheneum’s exhibition, Made in Connecticut, which runs until February 7. A Hill-Stead neighbor and art collector has graciously purchased the piece, which was part of Hill-Stead’s recent benefit auction to support the treasured cultural institution.

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Three Things to Know – January 14, 2021

In the spirit of our tech-driven times, I am honored to bring you the eighth installment of “Hill-Stead Museum’s Three Things to Know” to kick-off 2021.

Straight out of the starting gate, Hill-Stead was featured on Better Connecticut this week on CBS (Ch3/WFSB). We should all be proud to see our beloved cultural hub gaining such well-deserved visibility with 5:30 minutes of television airtime.

1 Winter on the Hill nature and arts program has been such a success that the program continues in 2021 with both in-person and virtual programming. In tribute to Martin Luther King Day, we are pleased to offer students a free one-hour program on January 18 at 11 am (grades 3–5) or 1 pm. (grades 6–8). The virtual session includes both independent and collaborative art-making led by Hill-Stead’s resident artist and education specialist, Rachel Cutler. During the engaging workshop, the students will reflect on Martin Luther King’s legacy by analyzing his words and dreams with those of Hill-Stead’s founder, Theodate Pope Riddle.

There will be back-to-back in-person sessions of Winter on the Hill at Hill-Stead on February 15 & 16 from 1-4 p.m. to coincide with President’s Day vacation time.

2 Hill-Stead is carrying on with its 2020 practice of joining hands with fellow arts organizations. This time, we join Capital Classics Theatre Company in presenting Contemporary Classics Conversations on Saturday, January 23, 2021, at 7:30 pm. The event is complimentary, and all are welcome to join us via Zoom for an insightful and lively evening of conversation inspired by Athol Fugard’s one-act play, Victory. Set in New South Africa, following the first free election in 1994, Victory features two adolescents discovered while robbing a home. Their discovery leads to a night of dialogue, revealing the hardships of living in apartheid-created poverty. Capital Classics Theatre Company artists will perform scene readings examining the despair of many young Black citizens in South Africa who see little prospect of a constructive future. Between excerpts, the audience will discuss the play’s themes and their relevance and resemblance to our world today.

3We are excited to announce Hill-Stead’s very first Walktail Hour on Saturday, January 30, from 3:30–5:30 pm. with an inclement weather date of Sunday, January 31 (same timing). Enjoy the Hill-Stead’s gorgeous grounds as you safely sip and stroll during the magical sunset hour while taking in the breathtaking views of our outdoor masterpiece. Admission will be free, with beverages available for purchase from The Liquorist on-site in their mobile bar (once a 1970’s horse trailer!). Imagine a beautiful sunset, a warm, delicious drink, stretching your legs, together with a loved one in the refreshing early evening air – the perfect end-of-day antidote to the winter blues!

Best always,
Beth

Construction update – January 5, 2021

To the New

While many of us were enjoying some quiet time and staycations over the holidays, renovation work at the Hill-Stead continued to make impressive progress.

To celebrate this new year, we are delighted to have a new concrete floor in the carriage barn in the space that, just a few weeks ago resembled a rocky moonscape, will soon become our beautiful art gallery!

These photographs show a satisfying progression of beginning, middle, and end.

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Communicating with the Spirts on Grating the Nutmeg

Kicking off 2021 with a new episode of Grating the Nutmeg on Hill-Stead founder Theodate Pope and her fascination with Spiritualism.

Please tune in to hear a lovely podcast with our curator Melanie Bourbeau and Mary M. Donohue, Assistant Publisher of Connecticut Explored.


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